This week’s episode of Ahsoka gave its titular hero one final alternative to study from a Grasp with lots to study himself, as Ahsoka’s time-bending journey by means of her life took her aspect by aspect, and up towards, Anakin Skywalker. However in doing so, each Grasp and Apprentice alike appeared to a future for themselves past the crucible the Jedi Order made them in.
“Shadow Warrior” takes Ahsoka on a journey by means of the battles that outlined her childhood—some extent distressingly made as her spirit is put into the physique of her youthful self, performed by 16-year-old Ariana Greenblatt, making clear in methods Clone Wars by no means might simply how younger Ahsoka was. Guided by a imaginative and prescient of her former grasp, Anakin Skywalker, the ultimate lesson he’s to show her is one in all development, and shedding the legacies of the previous that they’re each tied to. But it surely’s additionally one rooted within the jail Ahsoka and Anakin’s spirit yearn to be freed from: an countless struggle, from their youth during to even no matter lies past within the cosmic Power.
At first, it’s hammered dwelling actually as Anakin’s imaginative and prescient self ignites his lightsaber and swings repeatedly at his former pupil—struggle or die, the lesson that all the time was and would be the crux of their relationship as Grasp and Apprentice. They’d no different selection, in spite of everything: the Clone Wars thrust this life upon the Jedi Order, and the Jedi Order embraced it with open arms and blindness that had been damning their decline for generations. There was no selection for Ahsoka, a baby, to be something apart from Commander Tano. She, and hundreds of youngsters like her—hundreds of youngsters like Anakin, too—have been was weapons the by no means wished to be. And so she was, a warrior on the entrance traces of conflict, charging into battle alongside her grasp, essentially the most legendary warrior of all of them. A legacy Anakin equally had no selection in, and feared making his apprentice’s in flip. The Jedi Order made peacekeepers troopers, and as Clone Wars intoned: good troopers comply with orders.
It’s telling that the three battlefields we’re taken to in “Shadow Warrior” are all moments within the Clone Struggle the place the true actuality of that legacy hits Ahsoka hardest. Teth, her first full fight expertise alongside Anakin, Ryloth, a marketing campaign the place she was pressured to confront her standing as a Jedi and a pacesetter of troopers whose lives have been in her arms as a lot as her personal was, Mandalore, a grim reminder that at the same time as Ahsoka might escape the system of the Jedi Order, the battle that Order formed her in nonetheless had her in its grasp. Is it any marvel that she discovered herself returned as Fulcrum within the age of the Rebel, ceaselessly destined to wander the galaxy participating in a single struggle after one other like some wandering Ronin?
What Ahsoka’s imaginative and prescient, and the reflection of Anakin in it—and one in all an Anakin nonetheless wrestling along with his personal relationship to a legacy of violence—provides her is an opportunity to maneuver on from the crucible that had outlined her so lengthy. It’s telling that the one second she stumbles on this religious journey is when she displays the lesson again on Anakin’s spirit, when she doubts that she might be greater than an countless warrior—and in doing so turns his reflection darkish and twisted, to offer herself one other factor to struggle. It’s not a lesson about Anakin in any respect, even when he himself confronted comparable struggles, cast in that very same crucible, however about Ahsoka, so horrified by a lifetime of battle, not having the ability to see past it for thus lengthy. “You lack conviction,” Anakin growls, however it’s not the conviction to face and struggle, however the conviction to be greater than that—greater than her doubts of what she and her legacy might be. Till she makes the selection, disarming Anakin and tossing his saber apart, that there’s a life to steer past that of a warrior.
And it’s like a swap flips. From nearly the second Ahsoka returns from her visions, there’s a lightness and heat to her that might by no means actually floor in Ahsoka’s first 4 episodes, or her prior appearances in The Mandalorian and The Ebook of Boba Fett. Whereas there, and right here, she might push again towards this legacy and cycle of battle she thought had doomed her since childhood—be the Ronin, reject Anakin’s direct legacy in Luke’s Jedi academy, and the bags that comes with it, try and, and fail, to show her personal rebellious pupil—she might by no means actually escape it till this second of catharsis, one cast not in battle however in letting go. Anakin’s closing lesson is a present that Ahsoka can form herself anew, and be past the conflict that pushed them down their darkest, loneliest paths. Now not a instrument cast in battle, however an individual who can merely be, can select to struggle if wants be, however may also select to simply stay.
Who precisely Ahsoka Tano is has lengthy been the central battle of her character arc—from the legacy of her grasp, to her exit from the Jedi Order, to who she was and what she meant to the galaxy within the age of the Empire. Now, in the end, she is free to form that definition herself, as a substitute of getting it formed for her.
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